Radio Dishes and the Media

Later this year I’m going to a meeting in Australia, and while there we’ll be taking a tour of some of the country’s prominent astronomy facilities. One of them is the venerable Parkes Observatory, famous from the 2000 movie The Dish It is a great movie, by the way. One of the few that brings the world of science to the small screen without resorting to swooshing spacecraft bombing each other at faster-than-light speeds. (Nothing wrong with science fiction, I happen to like it a lot myself, but sometimes I like to see things that show the science I know and love, too.)

Parkes Radio Telescope (photo by John Sarkissian, CSIRO Parkes Observatory)
Parkes Radio Telescope (photo by John Sarkissian, CSIRO Parkes Observatory)

I’m especially interested in the radio telescopes of Australia, since I may be working on a radio astronomy media project over the next couple of years, and want to see as many as possible. Such facilities are fascinating places and I’ve been to a few over the years. Why, there’s one not far from my house in Massachusetts, called Haystack Observatory, and they are who I’ll be working with on my media project.

Haystack Observatory Ionospheric Radars
Haystack Observatory Ionospheric Radars

Another place I have visited a few times over the years is the Very Large Array, in Socorro, New Mexico. It was featured in the movie Contact along with the Arecibo radio telescope in Puerto Rico (which I haven’t been to, but hope to see someday).

Arecibo Observatory in Puerto Rico
Arecibo Observatory in Puerto Rico

Now, in The Dish, the Parkes radio telescope is shown as it was used in 1969 to relay video from the Moon’s surface during the Apollo 11 moonwalk. Of course, the telescope has a longer history than that. Among other things, it has been used to do the Parkes Continuum Surveys, finding and cataloguing various radio sources in the sky. It is currently being used to study pulsars and many other radio sources continually. So, aside from the brief moment of fame this telescope gained in the late 60s, it has been online as an astronomy observatory for many decades.

Haystack Observatory is also a multi-decade achiever in radio astronomy, geodesy (the study of what’s going on with the planet we live on by using radio measurements of the stars), and atmospheric sciences. This observatory’s ongoing mission should provide a rich field from which I can mine for my project.

The Very large Array in Socorro, New Mexico
The Very large Array in Socorro, New Mexico.© 2003 Mark C. Petersen

Finally, VLA and Arecibo are also major contenders in the radio astronomy world. They continually track such sources as pulsars, black holes, and activities at the cores of galaxies. The way they were portrayed in the movie Contact, as search agents for extraterrestrial signals from aliens, is mostly a movie fiction. Arecibo was used some years back to beam a signal out to space, and data from Arecibo is scanned by the Seti@home folks for signals that might be from other civilizations. But, trust me, there’s nobody sitting at VLA with a headset on listening for signals. That’s a nice drama point, though. I happen to think that the better drama lies in the solid achievements these facilities have made to our understanding of the cosmos. And, I look forward to many more years of discoveries from all of the world’s radio astronomy facilities!

Finding the Voice of the Cosmos

What with Blogger being up and down the past few days, it has been difficult to get on and write an entry. Things seem to have settled down, so here I am again.

Griffith Observatory
Griffith Observatory

I’ve been thinking about the past year’s worth of work I’ve done for Griffith Observatory, now that it’s almost all done but the shouting. We have a few clean-up details to do with the exhibits, but my part of the project is just about done. If you go to the Griffith Observatory web site, you’ll see the latest pictures of the exhibits being put into place. It’s amazing to see the place taking shape, and the words I so carefully crafted going up on the walls and exhibit panels.

I’ve had a lot of people ask me what the project has been like, and I’ve been invited to write an article or two on the process of writing exhibits such as these. As soon as the project is completely off my desk, I’ll settle in to write those articles. For now, though, I can say a few things about the experience. As I think over the whole process, I have a lot of very good memories of accomplishment, many memories of hard work, sometimes frustration, sometimes complete madness. It was fun, it took every skill I had to pull off the writing, and it taught me so much and gave me so many new experiences. We got through it and even though not everything is finished yet, it will be soon. And it’s turning out beautifully.

For most of my writing—from books to documentaries to stories to software documentation for planetarium products—I have to get inside the mind of the reader/user/viewer and figure out what story I want them to get from the product I’m creating. For Griffith, I had an additional “role” to take on as writer—the “voice” of the observatory. And make no mistake, the Voice WAS and IS a role. It was not the voice of any one person, not even me. It was a construct I created in my mind, with a LOT of input from others, and that voice is what helped me tell the story of astronomy in th exhibits.

In a way, I suppose that creating that role of the Voice was not much different from the process an actor goes through to understand a character’s part in a performance. As it happened I WAS taking some acting classes during the time I was writing for Griffith, and many of the preparations I made for classwork were quite similar to what I did to create the Voice.

So, when this fall rolls around and Griffith Observatory re-opens, and we go out for the opening, I’ll be anxiously waiting around the halls, hoping that the Voice I created (with the help of so many artists, scientists, and others) is doing its job, bringing astronomy to the huge universe of people who will be visiting Griffith Observatory over the next decades. While it won’t be just ME up there on the walls, I’ll have the satisfaction of knowing that the words I worked so hard to create will come to life with the help of the Voice.