Category Archives: writing

Giving Voice to the Universe

Who IS that Narrator, Anyway?

Because I write scripts for planetarium shows and science-type documentaries and vodcasts, I always have a number of strands that I weave together to make the final show. First, there’s the subject matter, which has to be impeccably accurate and interesting to the public. Then, there are the visuals (which can be stills, animations, etc.) that tell the story. And, of course, there’s the voice. Telling the story out loud is as important as the visual interpretation. Mate that good voice to some good music and you have what you need to tell a memorable story.

So, that means I need somebody to “talk it” and that’s where the role of a narrator/voice-over talent comes in. That person has to be able to take the words I’ve written and tell the story in a believable manner. It doesn’t matter to me whether that voice is male or female, young or old, as long as the person can make it “real” for the audience.

We’ve worked with a bunch of different voice actors over the years (you can hear samples of them at the Loch Ness Productions web site), and each one brings a special ‘something’ to the performance. We send them well-annotated scripts and work with each actor in the studio to get the best performance. If we are lucky (and we usually are) we get somebody who is a consummate “pro” — someone who anticipates the nuances and really works them. When that happens, it’s like magic in the studio.

So, a few years ago, I got interested in seeing my scripts from the actor’s viewpoint. I took a couple of workshops with a local voice actor who does a lot of work in both commercial and documentary scripts. It really opened my eyes to the work an actor does to create a role. Whether it’s a bagel commercial or a NOVA documentary or one of our shows, that VO actor has to work the words, pull out the meaning, and convey with “voice” to the audience. It’s more than just walking into the studio and putting on the headphones and reading the copy. In fact, I’ve learned that if you’re reading it out loud, you’ve only just started the work. It’s similar to writing. I’ve often been told (sometimes by people who should know better) that “oh, anybody can write.” That’s true… anybody CAN write. But, doing it WELL, that’s where you need talent. It takes artistry to tell a story that engages an audience; to write down words that are meant to be read aloud and heard by an audience. You have to get inside the story and figure out ways to tell it that mean something to people. Same with voice acting.

Last weekend I took an interesting side-trip on the voice-over trail. I had the opportunity to get the inside story on animation voices from an actor who has done many of them over the years. His name is Bob Bergen and, among other things, he’s the voice of Porky Pig, Tweety Bird, and many other animated characters, as well as a voice-over for longer narrations and commercials. It turns out that no matter what the person is giving voice to, the same principles of acting apply — whether it’s Tweety or as the announcer for a chain of pharmacies. It’s all part and parcel of “telling the story” or “keepin’ it real” that helps audiences “get” something — whether it’s a planetarium show about a trip to Mars or a story of a cat who goes to the Moon or even something as simple as a look at the night sky.

So, the next time you go to a planetarium show or listen to a radio show like “Prairie Home Companion” or play a video game or watch cartoons, really LISTEN to the voice of the narrator and the voices of characters. They’re doing something with the words that help you get the story inside your head. It’s an art and a lot of fun!

Finding the Voice of the Cosmos

What with Blogger being up and down the past few days, it has been difficult to get on and write an entry. Things seem to have settled down, so here I am again.

Griffith Observatory
Griffith Observatory

I’ve been thinking about the past year’s worth of work I’ve done for Griffith Observatory, now that it’s almost all done but the shouting. We have a few clean-up details to do with the exhibits, but my part of the project is just about done. If you go to the Griffith Observatory web site, you’ll see the latest pictures of the exhibits being put into place. It’s amazing to see the place taking shape, and the words I so carefully crafted going up on the walls and exhibit panels.

I’ve had a lot of people ask me what the project has been like, and I’ve been invited to write an article or two on the process of writing exhibits such as these. As soon as the project is completely off my desk, I’ll settle in to write those articles. For now, though, I can say a few things about the experience. As I think over the whole process, I have a lot of very good memories of accomplishment, many memories of hard work, sometimes frustration, sometimes complete madness. It was fun, it took every skill I had to pull off the writing, and it taught me so much and gave me so many new experiences. We got through it and even though not everything is finished yet, it will be soon. And it’s turning out beautifully.

For most of my writing—from books to documentaries to stories to software documentation for planetarium products—I have to get inside the mind of the reader/user/viewer and figure out what story I want them to get from the product I’m creating. For Griffith, I had an additional “role” to take on as writer—the “voice” of the observatory. And make no mistake, the Voice WAS and IS a role. It was not the voice of any one person, not even me. It was a construct I created in my mind, with a LOT of input from others, and that voice is what helped me tell the story of astronomy in th exhibits.

In a way, I suppose that creating that role of the Voice was not much different from the process an actor goes through to understand a character’s part in a performance. As it happened I WAS taking some acting classes during the time I was writing for Griffith, and many of the preparations I made for classwork were quite similar to what I did to create the Voice.

So, when this fall rolls around and Griffith Observatory re-opens, and we go out for the opening, I’ll be anxiously waiting around the halls, hoping that the Voice I created (with the help of so many artists, scientists, and others) is doing its job, bringing astronomy to the huge universe of people who will be visiting Griffith Observatory over the next decades. While it won’t be just ME up there on the walls, I’ll have the satisfaction of knowing that the words I worked so hard to create will come to life with the help of the Voice.